It's been several years, it turns out, since I've done a post about Mabon, a.k.a. the autumn equinox, which is coming up on Thursday. In 2011, I talked about its significance as the second harvest. Pagans recognize three harvest festivals in our Wheel of the Year: Lughnasadh, at the beginning of August, for grains mostly; Mabon, at the equinox, for the last of the summer fruits and veggies; and Samhain, at the end of October, for apples and pumpkins and things that go bump in the night.
Well, okay -- we don't often set out deliberately to harvest the things that go bump in the night. But maybe we should. And if you're going to begin, Mabon is the time to do it.
The equinox is all about balance, as you know; we have two each year, and each has an equal number of hours of daylight and darkness. The difference is in the trend. In the spring, we are heading into the lighter half of the year. In the fall, we are heading into the dark.
It's easy to chirp about balance in terms of our personal harvests -- the things we've done in the light. What's not so easy to talk about is the dark side of the equation. That's where the scary stuff is: the parts of our lives we'd rather not think about. Our dark nights of the soul. Time's toll on our lives. Death.
When I say "death," I don't simply mean shuffling off this mortal coil, although that's part of it. Many of my indie author colleagues and I have spent this week mourning a friend and fellow traveler, Rich Meyer, who died unexpectedly earlier this week. Rich was a trivia whiz who wrote and published a bunch of trivia quiz books -- but he was also a top-notch e-book formatter who was always willing to help authors with their problem children. He saved my bacon last year while I was in Denver and trying to get a book published. Plus he was hilarious. I miss him.
But physical death isn't the only challenge. I'll be honest -- even though it's been more than a year, I'm still reeling a little from losing that job in Denver. I'm coping; I've been spending time with good friends, and I ticked the last big trip off the bucket list in April when I visited Ireland. But every now and then, I remember, and the memory still feels like a punch in the gut. I suppose it will for a while. Grief is like that.
Time's passage is another one of those Dark Side things, particularly for women. Pagans have this thing about threes, as I've mentioned before, and one way we express it is to split women's lives into thirds: the Maiden years are all about attracting a man; the Mother era is when we bear and raise our children (and sometimes raise our husbands, too, but I digress); and the Crone years are when our looks are fading, but our wisdom and life experiences make us valuable in a new way. Crones have been the victims of bad press for centuries, of course -- see that picture of Baba Yaga above -- so one of the aims of this triplicity is to remind the world at large that older women deserve not derision, but respect.
About five years ago, I suggested to some Pagan women friends that I was thinking about declaring myself a Crone. My 50th birthday had come and gone, my kids were in their 20s, and I felt ready to move on to the next stage of life. My friends were kind of horrified. We were pretty close in age, but none of them felt anywhere near ready -- partly, perhaps, because none of them had had children, but also I think partly because society has us programmed to want to be desirable Maidens forever. (Never mind that Mothers must have sex, too; they don't harvest those babies from a turnip patch. And never mind a chief benefit of Cronehood: birth control measures are unnecessary.)
Anyway, after that, I dropped the idea. Maybe it's time to revisit.
A blessed Mabon to each of you, and may your harvests be bountiful.
***
These moments of Dark blogginess have been brought to you, as a public service, by Lynne Cantwell.
Showing posts with label Maiden Mother Crone. Show all posts
Showing posts with label Maiden Mother Crone. Show all posts
Sunday, September 18, 2016
Sunday, January 3, 2016
My body is my brain bag.
Carrie Fisher is my new hero.
Not because of her performance in the new Star Wars movie -- or rather, not just because of it. Mainly, it's because when it comes to women's looks and aging, she seems to have her head screwed on straight.
There's been a fair kerfuffle about it all this past week. Fisher took some heat on Twitter from cranky men who thought she looked terrible in The Force Awakens -- and, bless her, she handed their butts right back to them. "My BODY hasnt aged as well as I have," she told one guy, and then later tweeted this:
Our consumer culture, with its emphasis on women-as-eye-candy, has done its best to convince us otherwise. We've been told for decades that women only count if they're beautiful, that their only worth is in their looks. One of the worst purveyors of that attitude is Hollywood, where women can't get an acting job, by and large, unless they're thin and gorgeous. Even when the role is for a sweet but "ugly" woman, directors hire a thin, gorgeous actress, so that when the big reveal comes -- when she gets contacts and has her hair styled and her makeup done -- she's beautiful.
Not beautiful inside, mind you. Beautiful outside. Because in the movies, who you are inside is only relevant in the context of what you look like.
But in the real world, external beauty fades. And by the time you get to Fisher's age -- to my age -- what you look like outside hardly matters anymore. Which is as it should be. We're not young anymore.
Salon ran a story this week about feisty older women who speak their minds and do whatever they want. It starts off with Fisher's tweets, but mentions other women, too -- including Jane Fonda, who was quoted in the New York Times as saying:
I've talked before about the Neopagan penchant to collect certain goddesses into trinities: Maiden, Mother, and Crone. The Maiden/Mother/Crone framework can also be used to classify women's traditional roles in society, although the dividing lines are rarely so clear in real life -- there are always instances of girls having babies, grandmothers raising their daughters' children, and so on. Hollywood uses this framework, too. It celebrates the Maiden as the only variety of woman who matters -- until she becomes pregnant, at which time she becomes the Mother, which is not as good as a sexy Maiden but it's okay.
But the Crone? The Crone scares the hell out of Hollywood. She scares the hell out of men in general. Which ought to be a clue.
Contrary to popular belief, older women are not ugly, or useless, or used up. Older women have power. Our bodies are our brain bags -- and our brains have been paying attention. We're wise. We're sure as hell wise to you. And we have nothing to lose.
***
These moments of feisty blogginess have been brought to you, as a public service, by Lynne Cantwell.
Not because of her performance in the new Star Wars movie -- or rather, not just because of it. Mainly, it's because when it comes to women's looks and aging, she seems to have her head screwed on straight.
There's been a fair kerfuffle about it all this past week. Fisher took some heat on Twitter from cranky men who thought she looked terrible in The Force Awakens -- and, bless her, she handed their butts right back to them. "My BODY hasnt aged as well as I have," she told one guy, and then later tweeted this:
My body is my brain bag, it hauls me around to those places & in front of faces where theres something to say or seeAnd furthermore:
Youth&BeautyR/NOT ACCOMPLISHMENTS,theyre theTEMPORARY happy/BiProducts/of Time&/or DNAAmen, sister, amen. I'm just a year younger than Fisher, and I understand her point completely. It's one most of us have heard since birth: Beauty is only skin deep. And it only lasts so long.
Our consumer culture, with its emphasis on women-as-eye-candy, has done its best to convince us otherwise. We've been told for decades that women only count if they're beautiful, that their only worth is in their looks. One of the worst purveyors of that attitude is Hollywood, where women can't get an acting job, by and large, unless they're thin and gorgeous. Even when the role is for a sweet but "ugly" woman, directors hire a thin, gorgeous actress, so that when the big reveal comes -- when she gets contacts and has her hair styled and her makeup done -- she's beautiful.
Not beautiful inside, mind you. Beautiful outside. Because in the movies, who you are inside is only relevant in the context of what you look like.
But in the real world, external beauty fades. And by the time you get to Fisher's age -- to my age -- what you look like outside hardly matters anymore. Which is as it should be. We're not young anymore.
Salon ran a story this week about feisty older women who speak their minds and do whatever they want. It starts off with Fisher's tweets, but mentions other women, too -- including Jane Fonda, who was quoted in the New York Times as saying:
It’s like: Who cares? What do we have to lose to not be brave? We’re not in the marketplace anymore for guys. Our children are grown. So go for it.
![]() |
| Petr Novak | Wikipedia | CC 2.5 |
But the Crone? The Crone scares the hell out of Hollywood. She scares the hell out of men in general. Which ought to be a clue.
Contrary to popular belief, older women are not ugly, or useless, or used up. Older women have power. Our bodies are our brain bags -- and our brains have been paying attention. We're wise. We're sure as hell wise to you. And we have nothing to lose.
***
These moments of feisty blogginess have been brought to you, as a public service, by Lynne Cantwell.
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