Sunday, September 8, 2019

Cruise Year, Vol. 2, or: What I did on my summer vacation.

A couple of weeks ago, Kitty, Amy and I got on a cruise ship in Rome and got off about nine days later in Venice. In between, we toured a bunch of places. Some had been on my second-string bucket list (Rome! Venice! Greek islands!) and some had never been near any iteration of my bucket list (Turkey and Croatia). All of it turned out to be cool, and sometimes better than I'd expected. For instance, I was tickled to discover that some of the things we saw -- for lack of a better word -- rhymed.

Having never been to that part of the world before, I was struck by the way the cultures of so many countries on the Mediterranean Sea have intertwined. A lot of it is due to the spoils of war; the Greeks, the Romans, the Venetians, and the Ottoman Turks fought for control of the region for hundreds, even thousands of years, and so there's a certain amount of homogenization among the ancient sites. The mosaic floors at Pompeii in Italy, for instance, look a lot like the mosaic floors in the terrace houses at Ephesus in Turkey. And the frescoes adorning the walls of those Ephesian terrace houses look a lot like a wall I spotted in Museo Correr on the Piazza San Marco in Venice. Here, take a look:

Mosaic floor in Pompeii

Mosaic floor and frescoes in a terrace house in Ephesus


Wall - Museo Correr, Venice
I'm not sure, actually, whether that wall in Venice isn't a later-period homage to ancient Roman styles. Certainly artistic techniques go in and out of style -- like, say, black-on-black pottery. The ancient Etruscans made it, and so do potters from the San Ildefonso Pueblo here in the United States.

Etruscan pottery at the Museo Correr

Maria & Julian Martinez wedding vase | Wikimedia Commons |
CC 1.0

I could go on -- we saw so many wondrous places that I'm already forgetting some of the cool stuff we learned -- but I'll stop for now, if only to get some sleep.

***
These moments of bloggy comparative arts have been brought to you, as a public service, by Lynne Cantwell. (All photos in this post: Copyright Lynne Cantwell 2019, unless noted otherwise.)

No comments: